Entryway Antique Furniture

A prodigious French 19th Century Belle Époque Louis XV Rococo style gilt-ormolu-mounted freestanding Console Table after the model by François Linke, The beveled marble top of serpentine outline above an undulating frieze centered by a finely chased ormolu  female mask with acanthus leaves headdress and foliage volutes within C-scroll and leafy encadrements repeated on the sides; Raised on angular cabriole legs surmounted by large acanthus leaves chutes, bordered with ormolu trim and ending in foliate scroll sabots, joined by an ormolu mounted inverted curved double X stretcher centered by a platform surmounted by a finial of an urn of prosperity surmounted by scrolling leaves, The original console table, with a mandolin player centering the stretcher and rococo acanthus mounts, although designed in the Louis XV style, is not fully developed in combining this style with the Art Nouveau style for which François Linke is renowned. Linke drew his inspiration from the extravagant Rococo creations of François de Cuvilliés (1695-1968) that can be seen in the engravings of Johann Michael Hoppenhaut in the 1750's
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Ref#FC-1819 | Description

A prodigious French 19th Century Belle Époque Louis XV Rococo style gilt-ormolu-mounted freestanding Console Table after the model by François Linke

The beveled marble top of serpentine outline above an undulating frieze centered by a finely chased ormolu female mask with acanthus leaves headdress and foliage volutes within C-scroll and leafy encadrements repeated on the sides;

Raised on angular cabriole legs surmounted by large acanthus leaves chutes, bordered with ormolu trim and ending in foliate scroll sabots, joined by an ormolu mounted inverted curved double X stretcher centered by a platform surmounted by a finial of an urn of prosperity surmounted by scrolling leaves;

The original console table, with a mandolin player centering the stretcher and rococo acanthus mounts, although designed in the Louis XV style, is not fully developed in combining this style with the Art Nouveau style for which François Linke is renowned. Linke drew his inspiration from the extravagant Rococo creations of François de Cuvilliés (1695-1968) that can be seen in the engravings of Johann Michael Hoppenhaut in the 1750's.

Ref#FC-1819

115 x 36 x 85 cm

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François Linke

Francois Linke (1855-1946) was arguably the leading Parisian cabinetmaker of the Belle Epoque the glittering age of fashionable French society, whose influence was felt throughout the world.

Determined to outshine the competition at the Exhibition, Linke had set about creating the most ambitious pieces he could envisage, and more extravagant than had ever been displayed before. The items he exhibited marked a transition from the historicist interpretation of Louis XV and Louis XVI styles, an interpretation that was the mainstay of his nearest rivals, to something startlingly new and vital in its immediacy. Together with Leon Message he developed a new style for the 1900 Exhibition that paid homage to the Louis XV rococo in the fluidity of its approach, but an approach fused with the lively flowing lines of the contemporary and progressive 'art nouveau'.

This risky endeavour was a resounding success, and with his reputation established, La Maison Linke became the pre-eminent furniture house until outset of the Second World War. The technical brilliance of his work and the artistic change that it represented was never to be repeated. His showrooms expanded into prestigious premises in Paris, in the Place Vendome as well as the Faubourg St. Antoine where his workshop had been established. He embarked on many important commissions in the years up to the outbreak of the First World War, making and designing furniture for leading international industrialists and bankers.

After the 1914-1918 World War, Linke undertook the extraordinary commission to furnish the Ras al-Tin Palace in Alexandria for King Fuad of Egypt, possibly the largest single furniture commission ever conceived, eclipsing even Versailles. Linke flourished and remained active until the middle years of the 1930s and died in 1946.

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